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・ The Harder They Fall (Porridge)
・ The Hardest Button to Button
・ The Hardest Day
・ The Hardest Logic Puzzle Ever
・ The Hardest Part
・ The Hardest Part (album)
・ The Hardest Part (Blondie song)
・ The Hardest Part (Coldplay song)
・ The Hardest Part Is the Night
・ The Hardest Thing
・ The Hardest Thing (98 Degrees song)
・ The Hardest Thing (album)
・ The Hardest Thing (Toše Proeski song)
・ The Hardest Town
・ The Hardest Way
The Hardest Way to Make an Easy Living
・ The Hardness of the World
・ The Hardship Diaries
・ The Hardship Post
・ The Hardware EP
・ The Hardware EP + The Warfare EP
・ The Hardwood Pile
・ The Hardy Boys
・ The Hardy Boys (1969 TV series)
・ The Hardy Boys (1995 TV series)
・ The Hardy Boys Detective Handbook
・ The Hardy Boys/Nancy Drew Mysteries
・ The Hardy Boyz
・ The Hardy Bucks Movie
・ The Hardys Ride High


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The Hardest Way to Make an Easy Living : ウィキペディア英語版
The Hardest Way to Make an Easy Living

''The Hardest Way to Make an Easy Living'' is the third album by The Streets, released on 10 April 2006 in the United Kingdom and 25 April 2006 in North America. It is also the shortest The Streets album released so far, with a running time of just 37 minutes and 12 seconds. The Mitchell Brothers and Ted Mayhem, two of Skinner's protégés, make guest appearances on the album.
The final track, "Fake Streets Hats", is about an incident that happened during the 2004 edition of the Dutch Lowlands Music Festival, where a drunk Mike Skinner openly protested against the handing out of white hats with "The Streets" written on them, because he thought they were fake, and thus illegal merchandise. The hats actually were a gift from his label, Locked On.〔.
〕 Mike Skinner also sees the song as a personal reflection on plagiarism in general.
==Critical reception==

Critical response for the album was generally positive, scoring 72/100 on Metacritic. However, this score is lower than his previous two albums, scoring 90/100 and 91/100 respectively. In a mixed review, Prefix Magazine said "With about half the tracks on this record falling short, Skinner would seem to be teetering on the edge of irrelevance. But even the failed tracks here sound interesting, and if he's lost his way somewhat thematically, it's all in the name of searching for his new voice." In a much more positive review, ''The Village Voice'' Consumer Guide said "His comic timing and mixture of slangs--not to mention his musical conception... are all so much more fully developed that he's actually made a record that's fun to play in the background." ''Spin'' named Skinner "the perfect poet for this snooze of a topic." In a negative review, Stylus Magazine described the album as "an exercise in empty nothingness. But it’s not Bacchanalian coked-out excess nothingness, it's the joyless hollow-eyed actions of a man who is waiting for the next fix and doesn't care what bullshit has to come out of his lips in order to get paid."

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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